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Michael Curran continues his obsession with Sacher-Masoch, and in this film revisits Rubens' eponymous masterpiece. The grainy, tinted images have a beauty which belies the sinister nuances of the voice-over.
January 1, 1997 · 2m
Michael Curran continues his obsession with Sacher-Masoch, and in this film revisits Rubens' eponymous masterpiece. The grainy, tinted images have a beauty which belies the sinister nuances of the voice-over.