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Fleeting 8mm views of the Rhode Island coast reach beyond the home movie towards deeper mysteries of light and presence. With window-framed shots, intimate shadows and a few sly self-portraits, Marjorie Keller gestures towards a subjectivity of the light touch.
January 1, 1972 · 3m
Fleeting 8mm views of the Rhode Island coast reach beyond the home movie towards deeper mysteries of light and presence. With window-framed shots, intimate shadows and a few sly self-portraits, Marjorie Keller gestures towards a subjectivity of the light touch.