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In this film Lowder moves away from the notion of a work based on a preconceived filming procedure, adjusting the visual characteristics of the image in order to approach the temporal dimension of a pond full of frogs. In front of creatures that tend to be elusive, how can one record moments that are meaningful? How can one render a living moment visible and connect different recorded moments together?
January 1, 2006 · 9m
In this film Lowder moves away from the notion of a work based on a preconceived filming procedure, adjusting the visual characteristics of the image in order to approach the temporal dimension of a pond full of frogs. In front of creatures that tend to be elusive, how can one record moments that are meaningful? How can one render a living moment visible and connect different recorded moments together?