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While on one hand Mississippi belongs to the tradition of avant-garde film, it mantains an ironic distance at the same time. What in the beginning of Mississippi appears to be a lavishly choreographed dialog between natural chaos and abstract structure is revealed at some point as an autonomous concert of forms.
July 14, 2006 · 6m
While on one hand Mississippi belongs to the tradition of avant-garde film, it mantains an ironic distance at the same time. What in the beginning of Mississippi appears to be a lavishly choreographed dialog between natural chaos and abstract structure is revealed at some point as an autonomous concert of forms.