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What these ashes wanted, I felt sure, was not containment but participation. Not an enclosure of memory, but the world.
Completed in 2001, what these ashes wanted—which combines hand-processed film, video diaries, found sound, text and narration—is a ritual of grief that seems both shared and private. Our own stories of grief fill the gaps between Hoffman’s images of Egyptian tombs, wintertime frolics and insect activity.
January 1, 2001 · 55m
What these ashes wanted, I felt sure, was not containment but participation. Not an enclosure of memory, but the world.
Completed in 2001, what these ashes wanted—which combines hand-processed film, video diaries, found sound, text and narration—is a ritual of grief that seems both shared and private. Our own stories of grief fill the gaps between Hoffman’s images of Egyptian tombs, wintertime frolics and insect activity.