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Kopenhagen/1930 presents a different attitude to the seductions of content, to the signifying processes that are repressed in the rigorous procedures of the structural/materialist film. Its material is "images by George Gidal, Copenhagen 1930": photographs, their grounding and their signification.
January 1, 1977 · 40m
Kopenhagen/1930 presents a different attitude to the seductions of content, to the signifying processes that are repressed in the rigorous procedures of the structural/materialist film. Its material is "images by George Gidal, Copenhagen 1930": photographs, their grounding and their signification.