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Indian flower sellers, Turkish trash collectors, Chinese cooks, and Thai prostitutes--Munich-born artist Julian Rosefeldt confronts the viewers of his video project, Asylum, with stereotypical European views of foreigners and ethnic minorities. In his seductively opulent tableaux vivants, he exaggerates and parodies popular conceptions about roles and professions, while embedding his protagonists in strangely surreal scenes and ritual contexts.
December 31, 2001
Indian flower sellers, Turkish trash collectors, Chinese cooks, and Thai prostitutes--Munich-born artist Julian Rosefeldt confronts the viewers of his video project, Asylum, with stereotypical European views of foreigners and ethnic minorities. In his seductively opulent tableaux vivants, he exaggerates and parodies popular conceptions about roles and professions, while embedding his protagonists in strangely surreal scenes and ritual contexts.