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For After the Colours, Mattijn Seip filmed abstract collages of strips. The first part of the film consists of footage shot by using rotating objects that were located between the camera and the collage. The image is thus split, causing a hypnotic effect. The second part of the film consists of a single shot of collages that keep changing. The images are interrupted by shots of flat colour surfaces.
January 1, 1972 · 5m
For After the Colours, Mattijn Seip filmed abstract collages of strips. The first part of the film consists of footage shot by using rotating objects that were located between the camera and the collage. The image is thus split, causing a hypnotic effect. The second part of the film consists of a single shot of collages that keep changing. The images are interrupted by shots of flat colour surfaces.