all in one place.
Log what you watch. Rate your favorites. See what friends are into.
Recommended Movies
Log what you watch. Rate your favorites. See what friends are into.
Director
Where to Watch
Log what you watch. Rate your favorites. See what friends are into.
In Walking Forward-Running Past, Baldessari ingeniously employs photography and video to examine and ultimately deconstruct film. In this conceptual exercise, he tapes up photographic film stills of himself walking toward the camera—coming closer with each successive image—and then photos of himself running past it. The sequentiality of this action results in a crude montage, an ultimately futile attempt to recreate the phenomenological experience of cinematic movement. Gasping with exertion, Baldessari quickly and repeatedly replaces photo after photo. In his efforts to evoke the cinematic experience, a layered metonymic relationship develops between the static, photographic image of Baldessari running and his "real" movements on video.
January 1, 1971 · 13m
In Walking Forward-Running Past, Baldessari ingeniously employs photography and video to examine and ultimately deconstruct film. In this conceptual exercise, he tapes up photographic film stills of himself walking toward the camera—coming closer with each successive image—and then photos of himself running past it. The sequentiality of this action results in a crude montage, an ultimately futile attempt to recreate the phenomenological experience of cinematic movement. Gasping with exertion, Baldessari quickly and repeatedly replaces photo after photo. In his efforts to evoke the cinematic experience, a layered metonymic relationship develops between the static, photographic image of Baldessari running and his "real" movements on video.