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I made this film in 1976 as an attempt to consider the flow of the scrolling frames in the spotlight as a field of experience of continuity, if the representation and naturalism were rejected. I have not shown this film since the early 80s. But while I finished One, I realized that some of the questions I was trying to solve at that time came from this film, and that is how I rediscovered.
January 1, 1976 · 8m
I made this film in 1976 as an attempt to consider the flow of the scrolling frames in the spotlight as a field of experience of continuity, if the representation and naturalism were rejected. I have not shown this film since the early 80s. But while I finished One, I realized that some of the questions I was trying to solve at that time came from this film, and that is how I rediscovered.